Speaking of which, GKRR marks Sanjay Leela Bhansali’s discovery of arms and ammunition, one that leads to his attempting dialogue more suited to Anurag Kashyap: the result is very poor indeed, awful rhymes alternated with soap-operatic exposition. Her hero might carry a water pistol, but this Leela packs the guns. She looks like a million bucks, however, and so resplendent is Padukone with screen presence that it feels like watching Angelina Jolie in a bad film - ie, it’s all pointless, but there is something worth staring at. She sells some of the dialogue impressively, but stumbles over the tu-tadaak overfamiliarity thrust onto her by the script, and performs the way SLB likes his ladies to: when she’s happy, she’s too happy horny, too horny sad, too pouty. Quite handle the sheer, relentless raunch the part demands. Singh pushes himself but the part is too imbecilic, and he only does well when falling down and looking up at the camera - simply because it reminds us of his lovely Lootera.ĭeepika Padukone plays his gal, Leela, a cleavage-thrusting princess who looks absolutely luminous but can’t He also speaks like a character written for Satish Kaushik in a David Dhawan movie, all poor puns and weird vocal tics and very lame dialogue. He throws in the dhak-dhak dance step, for example, and later appears oiled up and wearing a dhoti tied lower than Shilpa Shetty would a sari. Ranveer Singh, he of that dandruff song, plays Ram, and he does so head and shoulders more effeminately than you've seen any Hindi film hero. Goliyon Ki Rasleela Ram-Leela - an acronym of which unfailingly reminds me of Greater Kailash Residential associations - is a monstrously excessive film with a riot of colours, a girl who looks very pretty indeed and a daft hero, but despite that being the warning on the tin whenever you attempt (foolhardily) to buy into a Bhansali product, this can’t be what you bargained for. May the brilliant Bhardwaj sic his bloodhounds upon you, foul fakers.
#Ram leela movie full movie
Habib Faisal made the terrific Do Dooni Chaar and then gave us link to review the disgusting Ishaqzaade Manish Tiwary made the interesting Dil Dosti Etc and then gave us the unwatchable Issaq and finally Sanjay Leela Bhansali, who once made the impressive Khamoshi, has turned up a movie with a title almost as grotesque as its contents.
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In the last year and a half, three directors (who have previously made one good film each) have tried to tell the classic tale of Romeo And Juliet and fatally floundered, creating painful works worthy of great embarrassment. Or, to be fair, why must directors overreach as they aim for instant literary endorsement? Why must Bollywood try to claw vainly at the works of The Bard? At the 2014 Filmfare Awards It also won an award for Best Choreography.According to Raja Sen, Goliyon Ki Rasleela Ram-Leela is an overplotted, bloody mess. At the 2014 IIFA Awards It won an award for Best Production Design. The music was composed by National Award winner Sanjay Leela Bhansali along with Hemu Gadhvi and Monty Sharma.
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Cinematography was done by Ravi Varman and editing by Sanjay Leela Bhansali and Rajesh G. The screenplay for the movie was written by Sanjay Leela Bhansali and Siddharth-Garima. The film made a box office gross of ₹220 crore. Goliyon Ki Rasleela Ramleela was released on 15th November 2013 and takes a screen time of 155 minutes. Eros International acquired the distribution rights for the movie. Goliyon Ki Rasleela Ramleela is written by Sanjay Leela Bhansali, Garima Wahal, William Shakespeare, Siddharth Singh and Siddharth-garima and it is directed by Sanjay Leela Bhansali. were the production houses involved in the project along with executive producer(s) Sanjay Leela Bhansali, Chetan Deolekar, Kishore Lulla and Sandip Ssingh.
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Bhansali Productions in association with Eros International. The movie is based on Romeo and Juliet by William Shakespeare. Goliyon Ki Rasleela Ramleela is a 2013 Indian Hindi-language Drama Musical motion picture starring Deepika Padukone, Ranveer Singh, Supriya Pathak, Sharad Kelkar, Homi Wadia, Abhimanyu Singh and Gireesh Kr.